Kelly:
Oh man this shit is cheesy. I'm actually surprised we never learned this song in ukulele back in the day, as it's the sort of high energy cheese-ball shit that we would perform. Anyway, I really like Hawaiian music, but this song doesn't bring me back to the Islands. I do, however, love the vaudevillian/barbershop style backup singers and harmony and I love that ukulele is keeping the energy in the song up enough that no drums are involved in this song. I really like the extended solos too, we get to hear a bit of Sol's virtuosity. Alas, there are other Hawaiian performers and songs that like better than this one. 3/5
Holly:
Hula Girl (Sol Hoopii): 3/5 Ah. Hawaiian music. I feel like I should sit back and let Kelly review this one, since she has much more experience with it than I do. I actually had to try 3 times before even spelling Hawaiian right, so…
I liked this song! I found it really full of energy with kind of quirky guitar playing, and definitely unmistakeably Hawaiian. I don’t know if I’m just falling for the kitsch factor of the guitar playing, but I really liked the guitar solos. On the other hand though, I just can’t help but feel like it sounds a little bit like a novelty song!
It does have some historical significance, though, since the slack-key guitar playing craze influenced blues slide guitar playing later on, which is a really cool connection between these two styles.
I'll freely admit that there is a short black cloud between me and the majority of Hawaiian music. I tend to divide it into two categories the heartbreakingly beautiful (Aloha 'oe, which has to be one of the only songs written by a queen [original definition]) or the shlock y novelty variety and not much middle ground. What keeps this one from ending up in the later category is the playing of Hoopii. 2.5/5
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